Corpus Christi
Corpus Christi

Twenty some years ago, when a young, self taught artist named Alfredo Garcia Gil started shopping his paintings of some of the less reputable citizens of Antigua, including whores, johns and drunks around the  town’s conservative gallery culture he couldn’t even get in the door.  The galleries wanted unprovocative, easily digestible paintings that could be sold to those with disposable income and the studied belief that Antigua is a town of pure colonial charm.  It was an art culture that reduced this vibrant city to a sterile movie set.  For Garcia Gil the soul of the city couldn’t be found with such simplicity and he was determined to bring the more profound truths of his world to his canvas and to the public.

Yet, he still needed to put food on the table, so he joined the ranks of the street painters that line 5th Avenue, reproducing La Merced, el Arco and Volcan de Agua – over and over again.  His paintings, widely considered to be amongst the best in that field, fed the market and the earnings fed his family.  But, at night, Alfredo continued to develop his vision and his art.  Thankfully, over the past two decades the market has matured and Garcia Gil’s more substantial pieces are reaching an audience increasingly willing to contemplate Guatemala as a living thing – beautiful and tragic, inspired and muleheaded, progressive and regressive – rather than the postcard perfection marketed by the gallery owners a generation ago.

Each of Garcia Gil’s paintings demand a recognition that the people of this country, their traditions and their culture are both passionately alive and gravely threatened by predatory forces.

With these observations, Garcia Gil wishes to provoke his audience – Chapin or Extranjero, wealthy or poor, criollo, mestizo or indigenous – to reflect on the humanity of his subjects and the bestiality with which they so often treat one another.

Note that in each of these paintings the eyes of the subjects are obscured.  Garcia Gil says that he presents his subjects this way because he is not interested in castigating individuals or reducing the stories to specific characters.  And as the subjects aren’t anyone individually, they are everyone collectively.  They are us and we are them and in this very ringing sense, Alfredo Garcia Gil is still very much an artist painting from the Antiguañan Street.

To see more of Alfredo Garcia Gil’s work, please visit La Antigua Galeria de Arte, 4a Calle #15,  La Antigua, Guatemala.  The gallery is between 1st and 2nd Avenidas.  To view his work online, visit  Alfredo Garcia Gil lives and works in Jocotenango with his wife children.

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About the Author

Michael Tallon, Editor-in-Chief, head writer and delivery boy, of La Cuadra Magazine, expatriated from the States 11 years ago. After spending a year in Antigua gasbagging about wanting to start an English Language magazine, he hit the road and wandered about South America, India and Nepal before finding himself sipping tea in Darjeeling and realizing that maybe it was time to head home and pick up the career path. That ill-fated adventure in New York lasted about 6 weeks before he headed back to Antigua, Guatemala, where John Rexer had actually started the magazine in his absence.

After a few months, Mike took over the magazine and has been going slowly broke since. On that note, Mike would like to invite advertisers, readers and potential patrons to send him free money.